
Floating On A Dream [Bone]
Ā
Floating On A DreamĀ is rendered in long shadows and moody high relief reflecting Kaplanās Californian roots and fascination with the American West, broadening his artistry into enthralling new territory.Ā
Produced by GRAMMY Award-winner Shooter Jennings, (Brandi Carlile, Tanya Tucker, American Aquarium) and mixed by Trina Shoemaker, (Brandi Carlile, Queens Of The Stone Age, Sheryl Crow,) Floating On A Dream is rendered in long shadows and moody high relief reflecting Kaplanās Californian roots and fascination with the American West, broadening his artistry into enthralling new territory.Ā
With country, blues, soul, tribal drums, and a touch of gospel underpinning his elemental acoustic driven rock, he explores matters of the heart, truth, morality, and the search for relevance across the albumās 11 original tracks. At the core though there is that voice. From a spooky falsetto to its deepest baritone, Kaplanās instrument is unlike anything else in modern music. While a few of these songs were penned shortly after Kaplanās departure from Pentatonix in 2017; most were written specifically for this project. What ties them together is the richness and fluidity of his vocal range, which may even surprise longtime fans.Ā
Original: $7.20
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Description
Ā
Floating On A DreamĀ is rendered in long shadows and moody high relief reflecting Kaplanās Californian roots and fascination with the American West, broadening his artistry into enthralling new territory.Ā
Produced by GRAMMY Award-winner Shooter Jennings, (Brandi Carlile, Tanya Tucker, American Aquarium) and mixed by Trina Shoemaker, (Brandi Carlile, Queens Of The Stone Age, Sheryl Crow,) Floating On A Dream is rendered in long shadows and moody high relief reflecting Kaplanās Californian roots and fascination with the American West, broadening his artistry into enthralling new territory.Ā
With country, blues, soul, tribal drums, and a touch of gospel underpinning his elemental acoustic driven rock, he explores matters of the heart, truth, morality, and the search for relevance across the albumās 11 original tracks. At the core though there is that voice. From a spooky falsetto to its deepest baritone, Kaplanās instrument is unlike anything else in modern music. While a few of these songs were penned shortly after Kaplanās departure from Pentatonix in 2017; most were written specifically for this project. What ties them together is the richness and fluidity of his vocal range, which may even surprise longtime fans.Ā



















